"The Pampeana n°2 op.21 and sonata opus 49 by Ginastera, an often volcanic composition played with incredible intensity by Patrick Langot" - Opéra Magazine, 4 Clés, March 2017

 

"The cello of Patrick Langot, elsewhere unifying pilot of the Syntonia chamber music ensemble, reveals the expressive power of [Ginastera's] Sonata for cello and piano dated 1979" - classiquenews.com, November 2016

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"The generous bow, the full, rich, harsh sound and also hoarse when the expression calls for it, by Patrick Langot find a dream field of expression in these pages. »- concertclassic.com, November 2016

 

“All the strength of Latin America under the fingers of Patrick Langot. And what about the sonata for cello and piano which fits him like a glove? Its interpretative power bursts with each measure. The line is clear and powerful. "- Ouest France, November 2016

 

“The orchestra, Orfeo 55, play with a bristling energy throughout. Cello soloist Patrick Langot, is to be commended for his delicate solo during Son qual stanco Pellegrino. "- Limelight / Australia’s classical music & art’s magazine, April 2015

 

“He was expected. The program was risky. An intimate program in the great hall of the Quartz… It did not disappoint, they did not disappoint. Patrick Langot and Aline Zylberajch have proven that there is more than one way to listen to baroque music and that, after the first surprise of the sound of old instruments, the pleasure is at the end. More than 800 spectators, an exceptional quality of silence ... This shows the appetite of the people of Brest for the choices offered. Patrick Langot did not seek the flamboyant, scintillating side, but the fiery depth and finesse. Supplement of soul which is essential with each sentence. Magnificent and meditative Suite for solo cello n ° 2 in D minor that he performs on his 1704 instrument. We can clearly recognize here everything we have always thought of his playing, his unwavering line of conduct, his sincerity. He knows how to get as close as possible to the work. Schubert's Arpeggione, in conclusion, brings new emotions, lyrical this time. Masterful, capable of melting the public. We knew him as a continuist, a chamber musician. With this concert, Patrick Langot stands out as a true soloist. "- Ouest France, January 2014

 

“Sold out at The Quartz on Wednesday evening. Cellist Patrick Langot has the tough task of opening the Collegium Orpheus concert, on baroque instrument, with Haydn's 2nd concerto, a work teeming with difficulties. An assumed choice. A demanding choice. The music is created there, before our eyes, with a committed, inhabited artist, who pushes the expressiveness to make his strings laugh or cry. Shimmering colors and halftones. We salute the cadence of the first movement, written by the cellist himself. A real piece of bravery. Warmth is not Patrick Langot's trademark. "- Ouest France, June 2012

 

"To remember above all, the cello of Patrick Langot in the" Qui Habitare "of Laudate Pueri: life throbs in the lagoon. "- Diapason, April 2012

 

“Agnès Vesterman and Patrick Langot camp intensely by turns executioners or victims. "(Greif," The Battle of Agincourt ")" - Diapason, May 2010

 

“From the first notes, an extraordinary bond emerged between the two performers. The three works showcased the indisputable virtuosity of Romain David and Patrick Langot. A mastery, a deep sense of nuance at the service of absolute musical richness. Shostakovich's "Sonata" in this regard was in every way a marvel of performance. A veritable kaleidoscope of opposing atmospheres, from the barely audible dismal to the rhythmic burst, an explosion of joy like a popular dance ... What beautiful music fully tasted by fascinated listeners. And again a piece by Schumann, a composer whom they adore, to end this concert with an encore greeted by enthusiastic and warm applause which rose from all sides in this Small theater of the Passerelle de Saint-Brieuc which is suitable so well for evenings like this. "- Le Télégramme, January 2008

 

“Carried away by music, beyond his instrument, he descends to the depths of hearts. He touches us as only young performers can do today, who are not jaded by routine. "- classiquenews.com, August 2006